This blog is written as a task assigned by Prof. Dilip Barad. The blog is on Cultural Studies in which marginalized characters are seen as Rosencrantz and Guildenstern, and through the lens of 'Hamlet'. For further info visit following article. Teacher's Blog
1. Marginalization in Hamlet
Describe how Rosencrantz and Guildenstern represent marginal figures in Hamlet. How does Hamlet’s reference to Rosencrantz as a “sponge” reflect their expendability in the power dynamics of the play?
These two belonged to a marginalised community who work for the authority and they are dead without any mistakes. In the journey there is a conversation there Hamlet Calls them Sponge and pawns.
"Hamlet: . . . Besides, to be demanded of a sponge! What replication should be made by the son of a king?
Rosencrantz: Take you me for a sponge, my lord?
Hamlet: Aye, sir, that soaks up the King's countenance,his rewards, his authorities. But such officers do the King best service in the end. He keeps them, like an ape, in the corner of his jaw, first mouthed, to be last swallowed."
This shows how they are treated by powerful people. The same situation can be seen in the context of contemporary time also. Politicians and Businessmen are exploiting the poor and middle class people. They are also treated the same as Rosengrent and Gulden stan are treated in the play.
2. Modern Parallels to Corporate Power
The passage compares Rosencrantz and Guildenstern to modern workers impacted by corporate downsizing and globalisation. Reflect on this parallel: How does their fate in Hamlet mirror the displacement
experienced by workers when multinational companies relocate or
Downsize?
Ans.
In the corporate sector all the workers are exploited. They have to work real hard and in return they also get very less salary. They are mere puppets of the corporation who work for them. Not a minimum salary decided by the government is given to the employees. More and more privatisation of various government sectors are being done in which private companies only work to make a profit. They don’t think about their employees.
Whenever the employees are unwanted they are fired from the companies. In the work like ‘The Reluctant Fundamentalist’ by Mohsid Hamid gives insight of the same. In which there is shown a reality of the corporate people and how for the business and profit purposes the people are downsized from the multinational companies. The whole market or corporation is all about profit. The focus is all on the capital rather than human welfare.
3. Existential Questions in Stoppard’s Re-interpretation
In Rosencrantz and Guildenstern Are Dead, Stoppard deepens their
marginalisation by questioning their existence and purpose. Why might
Stoppard emphasise their search for meaning in a world indifferent to
them? How does this mirror the feeling of powerlessness in today’s
corporate environments?
Ans.
When Hamlet says that “they were not near my conscience” shows his indifference towards the marginalised community, the same is with today’s corporate world the employees are not near the conscience of the owner of the company. When everyone is dead and the message that Rosencrantz and Guildenstern are dead show that there is no one that would hear the news of the dead also.
Same with the contemporary workers if they are dead or alive how they manage to work and how much they should be paid is totally neglected in the corporate world. This shows that even the death of these employees can not make the corporate owners understand the situation of the subalterns. That is why Stoppard has reinterpreted the whole narrative and questioned the authority.
4. Cultural and Economic Power Structures
Compare Shakespeare’s treatment of power in Hamlet to Stoppard’s
reimagining. How does each work critique systems that marginalise
“little people”? How might Stoppard’s existential take resonate with
contemporary issues of job insecurity and corporate control?
Ans.
5. Personal Reflection
How does the marginalisation of Rosencrantz and Guildenstern in
Hamlet relate to the modern experience of being seen as a dispensable
“asset”? Reflect on how these parallels shape your understanding of
Cultural Studies and power dynamics.
Ans.
In the power dynamics of Hamlet and his uncle Claudius Rosengton and Guildenstern are killed, they are used as dispensable “assets”, who are used until they are dead. In the same manner one can see that in the corporations the employees are used to work there their whole life and at the end when they are unable to in the corporation they are sent off.
When they are young they are used as an asset and when they are no longer in use they throw them out from the company they have given so many years of their life. These show the monopoly of the corporates and utilitarian concept of taking work.
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